Showing posts with label Taklub. Show all posts
Showing posts with label Taklub. Show all posts

Monday, 12 October 2015

A little bit of history - An Ode To My Father & Taklub

For Filmed in Ether, two Reviews From Biff.
One from the Philippines and the other from Korea.
Two very different films but both are dealing with major events in their respective countries.
Actually in style and how they deal with history they are poles apart.
Taklub from Brillante Mendoza is gritty realism dealing with the aftermath of the super typhoon Haiyan. It is a empathetic observation of life after a disaster where the psychological scares are greater than the physical wreckage. The setting is Tacloban which was literally leveled through wind, rain and waves and the film follows a handful of survivors. It is a far from sensational observation of the heartbreak involved with picking up the pieces.

This is the life of a devastated community waiting to be relocated, waiting for life to be returned to normal, waiting in vain for promised relief beyond daily rations and a canvas roof over their heads. They live with the guilt of a survivor, the fear of the next storm bringing a new tsunami and the want of life’s basics and wanting a place that they can call home.
 read the full review here


Brillante Mendoza
 













Ode To My Father from Yoon Je-kyoon differs greatly in that it spans Korean history from the end of the civil war, or at least when there was a truce on the fighting, right up to the present. It's epic in scale, in production value and in box office takings. The treatment of the history is a lot more stylised and sentimental. This is a tear jerker of a film.


Ode to My Father is the story of one man, Yoon Deok-soo (Hwang Jung-min) who dedicates his life to the service of his family and the nation after his father gets left behind in the mass evacuation from the northern Korean port of Hungnam toward the end of the war. His life is hard and his tales are epic but some say that it is a romanticised and sycophantic rewriting of history. Certainly right wing elements of this society have hijacked the film for their own purposes. When it was released earlier this year, the director in fact stopped doing interviews because the focus was solely on this subject.
 read the full review here


Yoon Je-kyoon












Both are fine films but in very different ways and they both come from very fine filmmakers.

Tuesday, 22 September 2015

BIFFology 101

          Why BIFF 2015?
                                                        Well why not I say!
          Not enough you say?
                                                       OK then, well try this on for size.
First up, 3 X the usual suspects.

Hong Sang Soo presents his latest Right Now Wrong Then.
Professor, pretty girl, time warps, a palace & drinking. Same old, same old? Apparently not!
By all accounts it's a cracker, winning awards at Lorcarno (Golden Leopard & Best Actor)
this is not a trailer, just a still

Kim Ki Duk has a new one called Stop. Inspired by Fukoshima and set in Tokyo.
Looking forward to an improvement on last years One on One.
  • Tsubasa Nakae  & Natsuko Hori 

Sion Sono has The Virgin Psychics, this will be the third new Sono film I have seen this year!!!!
Looks like a blend of Love & Peace & Tag??? But that's just a wild guess from the trailer.
Lookk forward to more tough school girls and his high kicking, up skirt signature shots.
ohhhh Sono!!!!

One summer blockbuster
Last year there were a few of these shown, this year it is Assassination by Choi Dong-Hoon, the man who bought us The Thieves. One of the big summer hits (over 10 millionat the box office) but they haven't shown it with subtitles yet.
Set in the Japanese occupation, it's all about an assassination squad in the Korean resistance.
Movie Poster

One from China (at least)
The Assassin by Hou Hsiao-Hsien, I now everyone saw it at MIFF but I was stuck here in Seoul.
Ethereal, period murder? One to watch according to the grapevine.
movie poster

A couple of classics
Seven Samurai, from Akira Kurosawa, the film that became The Magnificent Seven
the gang

The Housemaid by Kim Ki Young (original) 1960. Loved the remake so looking forward to the original in lucious Black & White.
tension?

And lastly for now.
Brillante Mendoza brings his latest, Taklub. Always interested in his work, a legend of the Philippines. This is another of his films with Nora Aunor, another legend.
movie poster

I'll be heading down for the first six days (I know but logistics & commitments) and am planning to see all these and fill in the gaps with a smattering of new Korean cinema.
Such a great festival and always lots of fun in between the movies. See you there?