Wednesday 31 August 2011

Clean Green Mean & Lean Cycling Machines

Check it out,
much better than clean green coal?? whatever that means??
A much smaller half life than a nuclear rocket....ps that's a good thing
More efficient than the internal combustion engine (do you know how inefficient they are?)
They last a long time and you get fit too, well at least your blood gets pumping

Eco Friendly Bicycles

5 of the greener green transportation machines.
Now to Bike On in style xo

仆街少女
Pu Kai Girls - Taiwan



Saturday 27 August 2011

Sion Sono, he da man, He is a POET

Another MIFF highlight for me was seeing the two latest films from the master, Sion Sono; Cold Fish and Guilty of Romance. Both on the big screen, which is such a treat for his films.

Cold Fish is a rollicking ride of blood, sex, gore and religion, though his underlying ever present themes of love and family cut through the sensational and anchor the film into classic Sono territory. His sense of humour is at its perverse best with declarations of love coming from blood soaked characters sitting in amongst chopped up corpses, I mean what else could you think of in moments like that? I’ve seen it twice and I’ll admit that the second time around was much better, I was able to get under the surface of the gore and around a very ‘shouty’ character (Denden's Mr Murata) as well as have the double appreciation for Megumi Kagurazaka who plays Taeko, the not so but sort of wicked and veryily bored step mother. Well worth a view and a must see for Sion Sono fans. (Sushi Typhoon)
 
Just when you thought he’d topped himself with Cold Fish along comes Guilty of Romance. How prolific is this man?….thank god, what a treat. Down and dirty onto the street and the cheapest of cheap. This is a tale of conservative shackles being thrown to the wind, of high inteligensia going full circle to plumb the depths of depravity and perversion.
“Words are meaningless without actions” says the professor of literature and then she demonstrates her stand. WOW!
This is another film based on reality or true events? Ha, what does that mean? 
I think the most grounding aspect of both of the films is their are hyper-reality, they are exaggerated to a point where they are very watchable and then the message of the director can be seen. I watched an Australian film called X which was also about two street prostitutes but it based itself in social realism (unsuccessfully I thought) and as a result was very hard to watch through its violence, sex and drug scenes. It fell into the exploitation genre and seemed to be a bit gratuitous with not a lot of meaning behind the actions. These are criticisms often leveled at Sion Sono but I always feel that his scenes, no matter how down and dirty they get always have purpose behind them and although they do indeed make one squirm it is not the same as when it is played with the straight bat of realism. This is not a criticism of X, I actually really enjoyed it but when you compare the two you start to get a real appreciation of what Sion Sono is up to.

 Megumi Kagurazaka plays Izumi (housewife turned model) and does a stirling job along with Makoto Togashi playing Mitsuko (a literature professor by day and prostitute by night) and Miki Mizuno who plays Kazuko (a police officer). All three sum to a triumph in this twisted, intertwined tale of woe.


Yes Guilty of Romance was my favourite of the two films but both will satisfy any Sion Sono fan and probably sicken most others. The man is prolific and on a roll, he is a POET! 
Catch these two before his next comes out on the blocks.
Himizu (ヒミズ) is due out in 2012 and yes Megumi Kagurazaka will be in it....yi ha

A Cycle, A Bicycle!


Wednesday 24 August 2011

Spruce Cycles

Lock onto Bruce from the Spruce for your custom built dream delights.
Actually it's James and he turns out a pretty mean machine for pretty lean coinage.
Check the page for contact details and other shi.....
Spruce Cycles on the F book.


Thursday 18 August 2011

The MIFF schedule is off the wall

So I took the MIFF schedule down today and I thought I would publish what I saw with a little rating.
The films I saw in order of appearance are:

33 Postcards            Pauline Chan      very good
Oki's Movie              Hong Sang-soo    very good
Cold Fish                 Sion Sono           excellent
Toomelah                 Ivan Sen             excellent
Guilty of Romance    Sion Sono           excellent
MIFF Shorts Awards                           shit
PressPausePlay       David Dworsky    good
Our Idiot Brohter       Jesse Peretz       most funny
X                             Jon Hewitt           excellent
The Day He Arrives   Hong Sang-soo    beautiful excellent
Bi Don't Be Afraid     Phan Đăng Di       very good
Eternity                   Sivaroj Kongsakul nice
Hanezu                   Naomi Kawase     not very
I Am Eleven             Genevieve Bailey  very good

It was a relaxed festival for me, only one day with 3 films and it was easy. A half dozen films I wanted to see but were sold out which was frustrating. 2 x Sion Sono is pretty special, missed the Herzog but it will get a release? 2 x films from my new favourite Korean Director (Hong Sang-soo) which was excellent and a great follow up from Dreamland for Ivan Sen. Oh yeah and I'd been waiting for X for a long time and I wasn't disappointed. So long MIFF 2011.










Cool Pix





Welcome!
art by Aaron Kuehn for the Los Angeles County Bicycle Coalition.

Wednesday 17 August 2011

Spoilt for Choice or When it Rains it Pours!!!

Here we are in the middle of August just having come down from MIFF and look what we are faced with. 2 Festivals kicking off on the 19th and then a selection of films being screened independently.
First of the blocks is MUFF #12, The Melbourne Underground Film Festival, Melbourne's very viable alternative to the International Festival was set up as a reaction in order to catch the disaffected who didn't or couldn't get their film into MIFF. Such a great name, tell me who doesn't love MUFF? There's a good collection of pretty bent films and a Paul Morrisey retrospective all happening down at the Dogs Bar and Memo in St Kilda.
On the Monday a film called Citizen Jia Li by Sky Crompton, a colleague from Holmesglen, will be screening. It's a feature film and I am credited as 'Editing Consultant'. It's a very interesting idea, exploring the Asian diaspora in Melbourne. There's a Triad character, a Harajuku character and plenty of Mandarin dialogue.


Sad thing is that I have failed in my role as Editing Consultant because after an initial successful session where there was some good restructuring and cutting back of extraneous scenes, I lost the ear of the director and as a result I think the film is way too long. It is very loose in parts which kills any of the good work in the film. Don't get me wrong because there are some really nice bits to this film and some really nice performances but there is no consistency. It would make a really good 60minute film  but this project was to be feature length and there was no way that 30minutes was coming out of it.
I know I am not the only person in the credits who thinks the same. Hey Ho.
Sometimes I feel like I should get my name out of the credits.

Running neck and neck with MUFF is the 6th Indonesian Film Festival running from the 19th to the 25th at ACMI cinemas in the city. There was only one Indonesian film at MIFF and I missed it, so here are a half dozen presented with talks and night outs etc. Sounds like fun but not quite sure what to see? It is the great unknown of the Asian Cinema.

Also at ACMI is Werner Herzog's latest drama My Son, My Son, What Have Ye Done. David Lynch is the executive producer and by all reports is a pretty whacky film well worth a look. Especially since I missed his doco at MIFF, the 3-D spectacular Cave of Forgotten Dreams. Its on Fri to Monday and I am definantly going because I won a double pass to see it. Yi Ha. I would see it anyway because I LOVE WERNER. whoops! but it is true, I would go and see anything made by him because I just find what he does is so interesting. Doesn't always work but hey well worth a look.

Finally I also have a free pass to see Audry Tautou's latest film, Beautiful Lies. The pass will get me over the line here because I've heard a review or two that describe this as pretty bad and really questioning why she is in such a film?? I'm no real expert of this actress but I'll pop along and see. The last French film I saw like this was Micmacs and that was really fun. So we'll see what happens.


All in all this weekend/week Melbourne is totally spoilt for choice and I've not been comprehensive here, there is more!



Monday 15 August 2011

Videos that are a Gas #2

Gee, what can you say?? this is cycling skill




Hong Sang-soo

A MIFF highlight for me was the work of South Korean Director Hong Sang-soo. Last year was HaHaHa but this year we have been treated to two.
Oki's Movie (Ok-hui-ui yeonghwa)
and
The Day He Arrives (Book chon bang hyang)
Both are very interesting in their own way and both display startling similarities that define Hong Sang-soo as Autuer.

Oki's Movie is clearly structured into four distinct parts or four short films, all of which are examining a film student's relationship with her professor and a fellow student. It's a love story.
However time is not linear and each has a different perspective, a different view point/angle on the same subject, sorta rolling the story out in a holographic way. (as much as that can happen in a linear medium) Each new facet of the film updates the story as it flows on. Sounds weird and it kinda is when you are used to the 3 act structure of the seamless Hollywood dreamscape. Like I didn't realise that we were watching the end at the start until I was almost at the end. The film as a whole feels like it is looping on the same thing but it is not circular, more like riffing in a music sense. The obvious structure to the film is that it is four short films or potential films, maybe drafts?, produced by the woman film student. But I think that the surface of the film is almost a distraction, a false door. It is a love story and that doesn't mean it's good!
Two men take her to the same park at different times and she compares the experience right down to who went to the toilet when and for how long, she and the park are the constant, both her partners are male but their ages are different and I think this is the key to the film. Is he young and silly? well no not really but yes indeed he is. Is he old and romantic? well of course but so much more grounded too plus a wee bit nasty.
Things are not always as they seem although on the surface that is exactly what they are. This is why Oki's movie is structured how it is and the fact that it is four short films made by one of the characters contained in one longer film is merely the justification. A little disclaimer that I may be talking out of my arse at this very moment but it matters not, the on brand message is that this is a very interesting, somewhat different film and I do recommend a look. (it is on at the Korean Film Festival 2011 but not in Melbourne, only Sydney)
KOFFIA - Oki's Movie
The Day He Arrives

Well, it has all the hallmarks of a Hong Sang-soo, it's about love, it has filmmakers as its characters, they drink (quite heavily) and low and behold time is a little bit fucked up, no one lives a simple linear story in this world but it is less obviously structured than Oki's Movie. But, hey, what a triumph, I loved this one.
This film has the key to any girls heart (this was just one of many amusing dialogue exchanges). Tell her she is one thing on the outside and the extreme opposite on the inside and no matter what you have said she will agree with you and be yours!
"you exude confidence on the outside but really deep down inside you are very vulnerable"
"oh yes that is me, how did you know???"
Probably one of the negative criticisms of The Day He Arrives is Hong Sang-soo's treatment of his women in this film, they aren't super powerful, they are pretty one dimensional and tend to be there to fall in love with the men. Speaking to some younger South Koreans after the screening they called it a 'last generation' hangover of the depiction of women, they were very quick to point out that the next generation of Korean women are more independent and less inclined to be of service for their male partners.
But the women in this film certainly fulfilled their role in throwing up the age old question of 'what is love?' and certainly helped magnify the male's relentless pursuit of it.
Like in Oki's Movie, The Day He Arrives loops time and space and I think from memory it does it four times, each with different outcomes. They all visit the bar over and over again with the same main characters but with different support cast and plot lines, each amusing and revealing in its own way.
I thought that of the two films this was the better but both are very interesting in their own way and also as a collective. Certainly I will be hunting down some more of his films and there are many for he is prolific.
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